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Gottlob Frick (28 July 1906 in Ölbronn-Dürrn – 18 August 1994 in Muhlacker) was a German bass who sang in opera. He was known for his wide repertory including Wagner and Mozart roles, as well as those of Nicolai and Lortzing.

CareerEdit

Frick's teachers included Fritz Windgassen (father and teacher of Frick’s contemporary, the tenor Wolfgang Windgassen).

He was a member of the chorus at the Stuttgart State Opera from 1927 to 1934. His first solo role was in Coburg in 1934–35,[1] followed by Freiburg (1936–40)[1]and Königsberg (1938) where Karl Böhm discovered him and engaged him for the Dresden State Opera in 1941,[1] which was his base for the following decade. In 1950 he moved to the Deutsche Oper Berlin, but his internationalCAREER took him to all the leading houses in Europe.

His voice was instantly recognizable by its dark, evil-sounding, almost reptilian timbre, and was aptly described by Wilhelm Furtwängler as 'the blackest bass in Germany' (der schwärzeste Bass in Deutschland). This made up for the fact that it was somewhat smaller than others such as those of Josef GreindlLudwig Weber and Kurt Boehme.

The roles for which Frick was best known were OsminSarastroCommendatoreKasparRocco and, above all, the principal Wagner bass roles. He also performed in operetta, often with Fritz Wunderlich, and often sang Archangel Raphael in Haydn's Creation.

He retired in 1970 from the stage, although a few of his recordings (for instance, as Gurnemanz in the Solti-led Parsifal), were later than that.

RecordingsEdit

He is well represented on disc. Among his best-known recordings were Osmin (in The Abduction from the Seraglio) first for Sir Thomas Beecham and again for Josef Krips, Sarastro (in The Magic Flute) and Rocco (in Fidelio) for Otto Klemperer.

He also recorded the Hermit (in Weber's Der Freischütz) for Joseph Keilberth and Kaspar for Lovro von Matacic, The Peasant (in Carl Orff's Die Kluge) for both Wolfgang Sawallisch and Kurt Eichhorn, Kecal (in The Bartered Bride), Pogner and King Henry for Rudolf Kempe, King Marke, Daland and the Landgrave for Franz Konwitschny, and Hunding, Hagen and Gurnemanz for Sir Georg Solti. Several anthology albums of Frick singing aria are also available.

SourcesEdit

  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5

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